How am I doing in 2013?

Most of you who read this site know I set out annual writing goals at the beginning of the year (you can find my 2013 writing goals here).  These goals help me track my writing progress during the year and help me accomplish what I want.  Goals are important to me; they give me something to work towards, and lessen the likelihood that I’ll lazy or complacent.

Setting goals is only the first step, however.  Periodically revisiting those goals to assess progress is also important.  By checking my progress, I know where I’m doing well and where I need to work harder.  I usually assess my progress every quarter, but I didn’t have time to do a first quarter assessment this year—simply too much going with my move and work.  So here’s my first assessment for 2013.

  1. Write and/or edit at least 700 words per day.  Unlike in previous years, I’ve had a tough time hitting my daily writing target consistently this year.  I’m not really sure why—some days things are just flowing and on other’s they aren’t.  I usually track this target in one-month blocks, and before this year I don’t think I’ve ever came up short in any month, but in 2013, I have (I came up short in March).  All together, however, I’m on target.  Through June 30th, I have written or edited 130,271 words, which works out to about 720 words/day.  Not bad, but I know I can do better.
  2. Finish at least twelve short stories.  I consider a story “finished” if I write, edit and submit it for publication.  Anything less is unfinished.  Although I wrote a lot of solid drafts last year, I failed to meet this target, so I’ve been focusing more attention on getting stories wrapped up and submitted in 2013.  Through June 30th, I’ve finished six stories, which is right on pace to meet my annual target.  Several of those finished stories were holdovers from last year that I didn’t complete, so that feels good.  A few were also entirely new ones written since the beginning of the year.  While I’m currently on target with this goal, I suspect I’m going to fall off pace in the back half of 2013 due to my need to turn some attention to other goals, specifically goals 4 and 6.
  3. Make at least 60 story submissions or five sales.  As of June 30th, I’ve made 22 short story submissions, which is well below where I should be (30 submissions) if I’m going to make my annual target of 60 submissions.  On the positive side, however, I’ve sold four stories, including three sales to excellent pro-rate magazines (Lightspeed Magazine, InterGalactic Medicine Show, and Daily Science Fiction), and the fourth to a top-tier anthology with a table of contents littered with a who’s who of speculative fiction (yeah!).  This is a conditional goal for a reason: if you sell stories, you can’t keep them in circulation, so story sales will usually lead to a lower number of story submissions.  That said, I don’t think my sales are the only reason my submissions are down.  Recently my stories seem to be spending a looooooong time sitting in slush piles or on editors’ desks.  I’m not sure if this means anything because other writers I know have also felt that slush piles have been dragging since the last quarter of 2013 (to see if this true, I plan to look my response times in future post).  All things considered, I’m in a good place with this goal, and I think I’ll make my target by year’s end.
  4. Revise and submit my draft novel.  I’ve not made any progress on revising my novel because I’ve been focusing on the goals above.  I felt I needed a little push, so I committed to having my writing group Hopefull Monsters critique it in a few months.  That will force me to turn my attention to these long overdue revisions starting this month.
  5. Develop a series for self-publication.  I have the outline for the first story (a mid-length novella, I think), and I need to sit down and write it.  I’ve been focusing on other goals, however, so I haven’t gotten far with this one (although it would meet my finished story goal).  It would be great to pound this out before September, so when readers wander over to my site after reading some of my forthcoming stories they’ll find something new and shiny for sale, but I don’t think that’s going to happen.  I have too much to write and to much learn about producing a self-published volume before September to make that realistic.
  6. Complete NaNoWriMo (50,000 words in November).  NaNoWriMo isn’t until November, so I’ve made no progress on this goal, but I didn’t expect to, either.  It’s also a little too early to start planning what I’ll write, but currently I’m leaning toward writing several short stories instead of a novel (this will help me meet some of my other goals!).  I currently have three novels in draft form, so I certainly don’t need to write a fourth at this time.  I’ll see how I feel as November nears.

Overall I feel I’m in a good position with regard to my writing goals, but the next quarter will be critical.  If I can keep my finish-a-story-a-month pace and make significant progress on my novel edits, I’ll be happy with my progress heading into the fourth quarter stretch.

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The Weekend of Proofs

It seemed like nothing much was happening for me on the publishing front for a long time, and I was beginning to wonder when my forthcoming stories were actually going to…well… forthcome.  If the past few days are any indication, the answer to my wonderings is “soon.”  I received not one, not two, but three sets of story proofs since Friday.  That on top of the recently returned proofs for “The Schrödinger War.”

I’ve already returned proofs for “The Octopus Garden” due out sometime in late August (provided there’s no stumbling blocks) in the octopus-theme anthology Suction Cup Dreams.  The editor, David Joseph Clarke, was kind enough to send a proof of the entire anthology, and I have to say, the art work he commissioned is excellent.  Every story got an interior illustration, and the one done by Natasha Aldred for my story is fantastic.  I’ve not read the other stories yet, but I’m looking forward to it.

I also finished reviewing the proof for “Portraits from the Shadow,” which will appeared later this year in InterGalactic Medicine Show.  It’s been a while since I’ve looked at that story, so it caught me off guard as I was reviewing the editorial suggestions.  It’s an emotional father-son story that really tugged at me.  I’m happy with the story and even more pleased it’s found a great home.  One of the many reasons I’m looking forward to it appearing in IGMS because they commission artwork for all their stories, and I can’t wait to see what the artist comes up with.

I also got the proofs for “The Negotiation,” due out next week from Daily Science Fiction.  Unlike most other publications, DSF sends out proofs fairly late in the publishing process, so I always feel a little rushed to review and return them.  I got the proofs today; it’s a flash story, so I should be able to turn it around this evening.  Subscribers to DSF will get the story next Wednesday, July 17, and all the rest of you can read it free online a week later.

That about “proofs-out” my forthcoming stories (only “From the Darkness Beneath” remains, and I’ve not heard anything on its status since the sale).  It should be a busy summer-fall with story releases, so check back frequently.

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“The Schrödinger War” Set for September

I’ve gotten word that Lightspeed Magazine has scheduled my story “The Schrödinger War” for the September 2013 issue.  I’m excited about this news because this is one of my favorite stories—it was incredibly hard to write, and took me over a year to finish.  I think the effort was worth it, too.

John Joseph Adams, editor at  Lightspeed, must have agreed because he’s asked to run “The Schrödinger War” as part of their “Lightspeed Presents” feature at the popular science fiction site, io9.  How can I turn that down?  Part of the gawker network, io9 receives more hits in a day than this site probably gets in a month.  That puts my story in front a lot of people—and I mean a lot of people.

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“The Negotiation” Scheduled for Mid-July

Daily Science Fiction has scheduled my story “The Negotiation” to mail to subscribers on Wednesday, July 17th.  It will be available for free reading online a week later, but there’s no reason not to subscribe to DSF—it’s free; it’s easy, and you’ll get a speculative fiction story in your email inbox Monday through Friday.  What more could you ask for?  (I guess you could ask for a chocolate brownie with each story, too, but those don’t email very well.)

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Your Editor is Your Friend

An editor should be a writer’s best friend.  A good editor can take a decent story and help the writer make it a very good, or even great, one.  I’ve had the opportunity to work with several editors that I respect highly, but the one I probably enjoy working with most is John Joseph Adams at Lightspeed Magazine.  (It has nothing to do his buying of several of my stories, either)  Everything Mr. Adams does demonstrates his respect for writers, from the rapid review of his slush pile (1-2 days!) to his handling of editorial revisions.

Case in point, I received the proof for my story “The Schrödinger War” earlier this week, and it was filled with the typical line edits, but also with numerous suggestions where Mr. Adams felt the story could be strengthened.  He exerted no pressure to make the changes if I didn’t want to; he only tossed them out there for my consideration.  They’re good suggestions, and I’ll surely incorporate some of them (but likely not all) into the final version, resulting in a that story will be stronger for it.

This isn’t an isolated incident either.  I went through several back-and-forths with Mr. Adams for “Thief of Futures” and a few for “Dreams in Dust.”  Both stories, but especially “Thief of Futures” emerged better from the exchange.  He does the same with other writers, too: author Jake Kerr has discussed the editorial revision process he and Mr. Adams went through for his story “Requiem in the Key of Prose.”

Mr. Adams has been nominated several times for the Nebula and Hugo Awards for his work at Lightspeed Magazine, but he’s yet to win either.  If he continues to work with writers as he currently does, I imagine it’s only a matter of time before he’s recognized with some hardware.

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A Flash for Its Day

Saturday was National Flash Fiction Day, a day to celebrate short stories with less than 1,000 words.  I know at least one of you wrote a flash story, because Laura posted hers into the comment section (huzzah!).  I hope others were likewise inspired.  If not, I hope you at least read a few flash stories over the week end—they’re short after all, so you could read more than one in a single sitting.

On Saturday, I committed to writing a flash.  The first draft of “Wheat Kings” clocks in at 943 words, and it’s a story about loss and the connections of family.  Here’s the first few hundred words:

Under the great chapel of sky, the wheat whispered to John McIntosh.  It spoke of the rain, the sun, the rich, rich earth, and of his father and grandfather who had labored before him, and Daniel, who would work the fields when he was gone.

Daniel watched the wheat bow in reverence as his father passed through the south field.  He had been helping his father since he was ten, but even a decade later, he still struggled against the stalks.

John stopped, planted his hands on his waist.  His body ached and not just from the pains of work and age.  Arching his back, he breathed deeply the green smell of the new wheat.  It smelled dry, and with no rain in the forecast, the field would need water tomorrow.

Daniel put an arm on his father’s elbow. He sensed something was wrong.  In two days his father had said not fifty words.  Not since his mother had died had his father been so withdrawn.

John patted his son’s hand.  Daniel had grown strong and lean, into a good man.  Eventually he would be a good farmer.  John hoped it would be soon enough.  “Went to the doctor,” he said, struggling to keep his voice flat.  “Been having fierce pain in my back. . .”  He was dithering when he needed to be to-the-point.

“What’s wrong, Pop?”

“This will be my last harvest.”

It still needs some work before I’ll have something ready to submit, but I like where it’s sitting right now.  I’ll work on it a some more, and if lucky, I’ll get it out the door before the end month, assuming I can figure out where to send it.  “Wheat Kings” doesn’t have much of a speculative element—it’s got a bit of magical realism, but even that’s fairly subdued.

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National Flash Fiction Day

I bet you didn’t know it, but today is National Flash Fiction Day—in Britain at least, but who says a Yank can’t celebrate it, too?  It’s a day to celebrate flash fiction (also called short-short fiction and sudden fiction), which are stories clocking in at less than a 1,000 words.

It’s no secret I’m a fan of short fiction, and flash fiction is no exception, when it’s well done, that is.  I think it’s hard to write effective flash because every word needs to pull its weight and then some.  Good flash is moving and powerful, and it sticks with you longer than the five minutes it took to read it.  It’s poetry without being poetry.

So today, I’ve got a challenge for you (I like a good challenge): write a flash story before the clock strikes midnight.  It’s not more than 1,000 words, right?  You can do it.  I wrote one for last year’s National Flash Fiction Day, and I’m going to write one again this year.  I’ll even throw out a prompt to get you started: “That’s my story, officer, and I’m sticking with it.”  Use it if you like, and fell free to share your story in the comment section below (keep it clean, however, and remember if you post it here you’re likely giving away your first rights if you intend to try to sell it).

If you’re not up for writing a story, then read one instead.  Everyday Fiction publishes flash every day (duh), Daily Science Fiction generally has flash Monday through Thursday, and Flash Fiction Online publishes several incredible stories per month.

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Pushing Through to “The End”

I know a lot of writers, myself included, who have a hard time finishing stories (are you nodding as you read this?).  I don’t think this an unusual problem.

Writing stories is a lot like running a race.  At the beginning, I’m fresh and eager to start something new and interesting.  The words come with relative ease as new, exciting situations roll from my fingers.  That initial burst of creative energy generally carries me through the first half of a story.  I can also usually write the ending with ease (assuming I know the ending, but that’s a topic for another time) because once the “finish line” is in sight, I get a jolt of new energy, and I can plow through to “The End.”

It’s that third quarter that I find the hardest.  The excitement of the fresh idea has faded.  “The End” isn’t in sight yet, just a seemingly endless, rocky path that saps the strength.  It’s this rough third that I find I need to push through.  Generally I tell myself to stick to it…to keep putting words on the paper and slowly, gradually knock of the scenes until I see the ending creeping over the distant horizon.  (It helps that I use an outline, crude as it may be, to map my progress.)  At this stage of the story writing, I don’t worry about the quality of the words—the craft, so to speak.  Instead I focus on simply telling the minimum.  After I’ve finished the story, I go back and edit it, with that third quarter getting a disproportionate amount of my attention to bring it into shape.

While I’ve gotten better with that third quarter over the course of my writing career, I still wish I had the secret to make it easy writing.  (I don’t think there is a secret, but if you know it, will you share it?)  That third quarter is nose-to-the-grindstone time, when writers earn their pay.  So until I locate the elusive grail (if it exists), I guess I’ll have to keep pushing though to “The End” with sweat and determination.

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Challenging My Motivation

In general, I’m a self-motivated and disciplined person.  I can set a schedule and stick to it.  It’s one of the reason I can work from home.  This also works well for my writing, which currently doesn’t pay the bills and so can easily take a back seat to other things.

I try to write about an hour every day (I actually write to a 700-word target).  While doing this requires discipline, it’s made easier if I’m motivated to do it, which generally I am, especially when I have a story idea .  When my motivation dips a little, however, it’s nice to have extra motivation, and a writing challenge is just the thing to get me back to the keyboard.  Last weekend, fellow Hopefull Monster, Annette Bowman, threw down a challenge to write a story in two days.  Annette made it, but I only got about 2,000 words into my story before life intervened.

Even though I didn’t finish, the challenge motivated me to start a short story, and I’ve nearly finished the first draft of it.  I like the story, too—I think it will be a competitive submission once it’s finished, and it could become a nice publication.  I know those are big words for a story that’s not even done, but a writer has to have confidence in his work, or all that motivation and discipline won’t add up to much, now will it?

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Updating My Bio

I realized today that I hadn’t updated my author bio following my move.  A new bio was long overdue actually, even if I hadn’t moved.  The old one was the first bio I’d ever written, and frankly, it wasn’t all that good.  Not that I know any better what to say in a bio now, mind you.

I’m not sure how many people even reads author bios.  I do (they’re actually one of the first things I read), but I suspect I’m an exception.  I read them because I’m interested what the author has to say about himself or herself—I guess it’s research so I can improve my own bio.

I think my new bio is better than my old one, but that’s not saying much.  It’ll do for now.

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